Origami Heaven

A paperfolding paradise

The website of writer and paperfolding designer David Mitchell

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The Frame and the Picture Frame
 
This page attempts to record what is known about the origin and history of the origami design known as the Frame, which is folded from a windmill base and of the same design folded from a blintzed windmill base, which, in order to distinguish the two, will be referred to on this page / site as the Picture Frame. Please contact me if you know any of this information is incorrect or if you have any other information that should be added. Thank you.

The Frame is developed from the Open Box and can in turn be developed into the Mirror. The Picture Frame is developed from the Junk Box and can in turn be developed into the Looking Glass.

Where the context is insufficient it can be difficult to know which of the two versions of the design is being pictured or referred to. It is possible that I have made mistakes when trying to work out which is which.

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Both designs, both called 'Le cadre', appear in separate lists of designs in the 'Manuel Pratique de Jardins D'Enfants de Friedrich Froebel, which was compiled by J F Jacobs and published in Brussells and Paris in 1859. In this case, although there are no illustrations in the book, the context makes it clear which design is which.

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A drawing of what is possibly the Frame or the Picture Frame (although the proportions are odd) appears in the revised version of 'Der Kindergarten' by Hermann Goldammer which was published by Carl Babel in Berlin in 1874.

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The Frame appears, as the 'Picture Frame', in 'The Kindergarten Principle' by Mary J Lyschinska, which was published in London in 1880 by Wm Isbister Ltd. The Picture Frame is also mentioned but no illustration is provided.

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The Frame appears in 'The Kindergarten Guide' by Maria Kraus Boelte and John Kraus, which was probably first published in 1882 by E. Steiger and Company in New York.

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Eleonore Heerwart's 'Course in Paperfolding' was first published in Dutch in 1895 then in English by Charles and Dible in London and Glasgow in 1896, contains drawings of two designs that are probably the Frame and the Picture Frame, though neither deign is named.

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The Frame also appears in 'Die Frobelschen Beschaftigungen: Das Falten' by Marie Muller-Wunderlich, which was published by Friedrich Brandstetter in Leipzig in 1900.

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