The Public Paperfolding History Project

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Modular Origami
 
This page attempts to record what is known about the origin and history of the multiple sheet paperfolding technique nowadays usually known as modular origami, although it has had other names in the past. Please contact me if you know any of this information is incorrect or if you have any other information that should be added. Thank you.

I formally define modular origami as 'a two stage paperfolding technique which uses multiple sheets of paper. In the first stage each individual sheet of paper is folded into a module. In the second stage the modules are assembled into a self-integrating and stable geometric form.' I believe the requirement for modules to be self-integrating is essential to the definition of modular origami in a modern context but I have not excluded early designs from this history just because they needed to be held together using thread or glue.

There are separate pages about:

The history of Kusudama. (Kusudama which are self-integrating (rather than held together by thread or glue) are by definition modular origami designs.)

The history of Designs Woven from Folded Strips.

The history of Macromodular Origami.

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In Japan (and in publications by Japanese authors)

The Tematebako / Cubical Box - 1734 onwards

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The Teapot Stand - 1959 onwards

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The Three-Piece Purse - 1959 onwards

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The Mystery Box - 1965

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In Western Europe / The USA

The Playing Card Cube - 1759 onwards

(Also a macromodular design)

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1924

The book 'Joujoux En Papier' by Tom Tit, which was published in Paris by Paul Lechevalier in 1924, contained diagrams for a design called 'L'Etoile A Devider' - a two part modular Star of David folded from equilateral triangles which is assembled without the need for glue.

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1936

'Paper Toy Making' by Margaret Campbell, which was first published by Sir Isaac Pitman and Sons Ltd in London, probably in 1937, although both the Foreword and Preface are dated 1936, which argues that the book was complete at that date, contains diagrams for making a 'Japanese Ornamental Ball' from six blintzed bird bases. According to the text 'The Japanese make six of these, and sew them together at the points until a complete ball is made. ... A coloured bead finishes off each corner.'

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1940

'El Plegado y Cartonaje en la Escuela Primaria' by Antonio M Luchia and Corina Luciani de Luchia, which was published by Editorial Kapelusz in Buenos Aires in 1940, contains instructions showing how to make a two-part modular cube.

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1956

'Paper Magic' by Robert Harbin, which was published by Oldbourne in London in 1956, contains instructions for making Harbin's Christmas Star Decoration by sewing together six Outer Space Ships.

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1963

'The Best of Origami' by Samuel Randlett, which was published by E P Dutton in New York in 1963 and by Faber and Faber Ltd in London in 1964, contained two versions of a 2-part modular Ornament by John M Nordquist. Of the ornament on the right the text says 'Next to the ORNAMENT is a variation ... which begin with two squares.' (This would thus seem to be the same design as my own 2-part Nolid Octahedron, but, of course, of much earlier date.)

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1965

'The World of Origami' by Isao Honda, which was published in the USA by Japan Publications Trading Company in 1965, contains diagrams for a module folded from a rhombus which will make 'Rhombus Constructions', ie 3, 4 and 5 sided pyramids with open bases. This design is attributed to Akira Yoshizawa.

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Vol 5: Issue 4 of 'The Origamian' for Winter 1965 included diagrams for a 2-part modular 'Diamond' by Betsy Kitch.

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1966

Vol 7 issue 4 of the Origamian for Winter 1967 contained a profile of Molly Kahn (Lillian Oppenheimer's daughter) written by Alice Gray and diagrams for 10 of her original designs, 9 of which were 'composite models'.

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1968

Vol 8 issue 3 of the Origamian for Autumn 1968 contained a profile of Robert E Neale, including brief information about his compound models, and diagrams for his Octohedron (sic) Tree Ornament.

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Flapping Bird Issue 2 contained two modular designs by Robert Neale:

Sixfold Ornament (6-part modular)

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Salt Substitute(6-part modular)

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According to David Lister the Sonobe module and the six-part cube assembly were first published in 1968 in the second magazine published by the Sosaku Origami Group 67 (see David Lister on the Sonobe Module) of which Mitsonobu Sonobe was a member. I have not seen a copy of this magazine.

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1969

Skillman's 'Embroidered Ball' , a 2-part modular design, appeared in Issue 4 of the Flapping Bird. (This ball will collapse flat in two directions, but this property does not appear to have been known to its inventor, or at least to have been important enough to be mentioned.)

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Vol 9 issue 4 of the Origamian for Winter 1969 contains diagrams for Rae Cooker's Christmas Tree made from Robert Harbin's 'unbasic form'.

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1971

Randlett's 'Binary Star' (2-part modular) appeared in Issue 15 of 'The Flapping Bird':

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1974

These 2-part cubes by Ho Tsak-man appeared in Issue 21 of the 'Flapping Bird':

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1975

Vol 13 issue 3 of the Origamian, which was undated, but, according to David Lister (see link above) published in June 1976, contained diagrams for a 'Jewel' attributed to Toshie Takahama which was made from three Sonobe modules (although Mitsonobu Sonobe was not credited with its invention).

The same issue contained an article written by Alice Gray titled 'On Modular Origami'. The article mentions Toshie Takahama's 'Jewel' and states that 'Toshie makes necklaces of them.' It also states that 'It was Steve Krimbill, a pupil of Rae Cooker's, and only 17 years old at the time, who first perceived the possibilities of Toshie's module. By simply reversing the direction, and sometimes changing the angle of one crease, he gave the element a new and amazing versatility. Steve's most impressive construction is a 30-piece ball. I saw it at Rae's house, and in attempting to duplicate it arrived at other constructions before achieving success.' Again, no mention of Mitsonobu Sonobe is made.

(Steve Krimbill, otherwise unknown, is possibly a mispelling of Steve Kimball, who was mentioned in Alice Gray's profile of Rae Cooker in Vol 9: Issue 4 of 'The Origamian' for Winter 1969.)

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The article is titled 'On Modular Origami'. This is possibly the earliest use of this description. In addition to Toshie Takahama's Jewel, the article mentions:

The Pagoda from Maying Soong's 'The Art of Chinese Paperfolding'.

An unnamed / unidentified design by Eric Drew.

Rae Cooker's Christmas Tree from Origamian Vol 9 issue 4 (see 1969 above).

An unidentified / unpublished cube by Bob Neale

Unnamed / unidentified designs by Lewis Simon and Ed Sullivan.

The Japanese 'hot teapot mat' from Honda's 'World of Origami'

Bob Neale's 'Nova' kits and his current (Spring '75) work on pierced modular balls.

Jack Skillman's designs made using Saltcellars as modules.

The article is also accompanied by a photo of a modular pierced ball by Jack Skillman, although this design is not mentioned in the article. (The module used to make this design is now known as the Skillman module.)

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1976

Sullivan's 'XYZ' (a 6-part modular) appeared in Issue 25 of the 'Flapping Bird':

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Philip Shen's 6-part 'Omega Star', which was developed from XYZ by E D Sullivan, also appeared in Issue 25 of the 'Flapping Bird'.

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1977

Kenneth M Kawamura's self-published booklet 'Geometrical Compound Origami or Meditations on a Waterbomb', published in 1977, contains modular origami designs by Kenneth Kawamura and Joe Power which were created between 1971 and 1976. The majority of these are compact weave designs.

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On 5th July 1977 Jack J Skillman was granted a patent for the design and assembly of folded paper modules, one capable of producing 'stellated' designs, which is folded from a parallelogram divided into equilateral triangles, and the other 'pierced' polyhedra, which is folded from 2x1 rectangles.

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1990

'Kusudama: Ball Origami' by Makoto Yamaguchi was published in English by Shufunotomo Co Ltd in Japan in 1990. The book contains two kinds of designs, those which are genuinely kusudamas and are held together with glue or thread, and those which should more properly be called modular sculptures since they do not resemble balls of herbs or flowers in any way, and which are mostly self-integrating.

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